(With apologies to Sir Monkeypants; this morning I swore my next post would have something funny in the subject line that he said this morning, but I can’t remember what.)
My dream job used to be Governor-General of Canada — cool house, cool garden (where they play cricket all summer long), lots of fame, and the chance to plant trees with folks of different cultures. But I think the travelling is too much for me — heaven knows, I can’t stand being away from home for more than a few hours at time — and I’m not really qualified.
So these days, I dream of being a Hollywood screenwriter. That way, I could get in big with the hip stars of Hollywood (Laura Linney, call me!), everyone would admire my wit and cleverness, I’d get to go to the Academy Awards and wear lovely dresses — all while working at home and not being required to lose any weight. It’s the best of all possible worlds.
But in terms of getting famous, being a screenwriter is not the way to go about it. Lately I’ve been thinking a lot about screenwriters I like that could serve as role models, and I’m ashamed to admit that although I have an extensive knowledge of actors, directors, and even cinematographers, there are few writers that I can even name, let alone admire. I can name plenty of cool directors who also happen to write — Cameron Crowe, Sofia Coppola, P.T. Anderson, Kevin Smith, M. Night Shyamalan, Quentin Tarantino, Baz Lurhmann, the Coen Brothers — but I like them mostly due to their directing abilities, their ability to create a certain mood and atmosphere onscreen, not for their ability to turn a phrase. Really, there are only two writers I can name that would draw me to the theatre based on their name in the credits alone, and they are Charlie Kaufman and Wes Anderson.
Charlie is the legendary writer of Being John Malkovich, Human Nature, Adaptation, and Eternal Sunshine Of The Spotless Mind. He’s unbelievably creative in terms of characters and storylines, but he also is just so great at manipulating the English language that every scene is a delight. Here’s how I know he’s a great writer: when FameThrowa and I went to see Confessions Of A Dangerous Mind last year, it had no pre-credits, and we both specifically stayed for the end credits to see who had written the film, because it was such a fantastic script — and lo, there was Charlie’s name. Amazing! The dude rocks.
Wes is really a writer/director like the others I named above, but unlike them — who I see as writing a script because they want to direct it — I think Wes is a fantastic writer in his own right. Anyone could direct his scripts and still come up with a great movie. His work on Rushmore and The Royal Tenenbaums is more than enough to get me to go see his next movie, no matter what the plot or stars or whatever.
So sad as it is that I can’t name the writers of most of the Best Picture Oscar winners for the past 20 years (who wrote Driving Miss Daisy? Unforgiven? Braveheart? Gladiator?), I’m starting to pay more attention.
Who’s your favourite screenwriter?